
On a more intimate scale, 'MISCHIEF and MADNESS - An Encounter with Jonathan Swift', commissioned originally by the W.E.A. and 'A SUBLIME DISCORD - George Sand and Frederick Chopin'', commisioned by the Belfast Festival at Queen's and both written by Roma Tomelty, are permanently in the Repertoire and are performed as requested.
They are both intimate if powerful pieces, suitable for playing in almost any space and with a minimum of complex technical requirement. They have been in everything from a drawing room (admittedly quite large) in a stately home to the full stage of the Arts Theatre in Belfast, and are excellent as 'Festival' fare, combining as they both do the theatricallity of dramatised lives with the pleasures of listening to live musicians and singers perform Chopin, Handel or Gray
 It is generally accepted that the devotion of the notorious French novelist George Sand to pianist-composer Chopin  during their nine year relationship prolonged his short life and provided an emotional security which gave him strength and freedom to compose.Roma Tomelty, using Sand's words, has dramatised  a short account of their affaire from Sand's point of view.
It is generally accepted that the devotion of the notorious French novelist George Sand to pianist-composer Chopin  during their nine year relationship prolonged his short life and provided an emotional security which gave him strength and freedom to compose.Roma Tomelty, using Sand's words, has dramatised  a short account of their affaire from Sand's point of view.“...(the production) held the attention as (it) unfolded... Patrick Coyle as Chopin...performances of splendid technical finish and musical understanding... A riveting and rewarding experience from both artists...”It went on to be a a hit during last year's Edinburgh Festival at the Demarco Foundation of European Art, rating a four star review in The Scotsman who said -
“... What could be more blissful? Very little, and the Demarco Foundation does not disappoint. Roma Tomelty plays with a calm dignity ... music which is played brilliantly... There are many ways of passing an hour in Edinburgh and this is one of the most pleasant...”
The Music includes:
 In 1740, five years before his death , Jonathan Swift, Dean of St Patrick's
Cathedral Dublin, Satirist, Poet, Novelist and sometime Vicar of Kilroot, Co
Antrim, is returning from a final visit to his friends Sir Arthur and Lady
Acheson at Markethill , Co Armagh. No longer able to ride any great
distance, he is forced to spend the night at a 'hedge Inn' near Newry in the
company of two musicians and a solicitous servant named Hannah. Weary from
his travelling and suffering from his frequent fits of giddiness, his heart
lacerated with a savage indignation, he needs rest...
In 1740, five years before his death , Jonathan Swift, Dean of St Patrick's
Cathedral Dublin, Satirist, Poet, Novelist and sometime Vicar of Kilroot, Co
Antrim, is returning from a final visit to his friends Sir Arthur and Lady
Acheson at Markethill , Co Armagh. No longer able to ride any great
distance, he is forced to spend the night at a 'hedge Inn' near Newry in the
company of two musicians and a solicitous servant named Hannah. Weary from
his travelling and suffering from his frequent fits of giddiness, his heart
lacerated with a savage indignation, he needs rest...